44 Days of Witchery, Day 11: Witchy Tools: oils

Not all of my oils, but I wouldn't be able to fit them all in a picture.

I have a lot of essential oils. A lot from Guatemala, actually, from a store with an Egyptian motif. Strange story, that.

I love oils. I also love candles. I anoint candles with oils, I put drops of oil on burning charcoal (along with resin or loose incense), I burn it in an oil diffuser, with some water. I have a few of those. I also have The Pocket Idiot’s Guide to Potions, which has info on making your own oils (among other things). (I suppose that makes me a pocket idiot, hmm? One you can slip into your pocket and just take out whenever you need her. There’s actually a story there, too.) I plan on trying out some of the procedures in that book as soon as I have the time and supplies.

I have natural oils and some synthetics. I don’t have an ethics issue with using or not using synthetics, just an allergy issue. Some natural oils I’m allergic to, some synthetic. It’s a crapshoot, really.

My favourite oil is the little golden one without a label. It smells like a Hawaiian flower I’ve forgotten the name of. I call it my Lady of the Stars oil, because She seems to like it as well.

44 Days of Witchery, Day 10: Your sun sign

Shu Shu Lynn, ChubeLyn
Image via Wikipedia

Leo. My birthday is the 14th, actually. 25 years of age!

And I am a quintessential Leo, let me tell you. Vain, loyal, proud, quick temper, self-centred, passionate, loving, generous. All me.

I also act like a cat. A lot. My (other) name is Dutch for little cat. I purr and meow. I love having the spot just below my ears, on my chin/neck area, scratched. When I’m mad, you can see my tail lashing. I hiss when things surprise me. (Door on the ferry tried to close on me yesterday. I hissed and jumped away, much to the confusion of a young couple and their son.)

I’m also born in the year of the tiger, and my Mayan astrology is a jaguar, so there are a lot of cat influences at work here.

44 Days of Witchery, Day 9: A favourite mythological animal

An honest politician.

I kid, I kid. (Maybe.) I realize the question is for standard mythological creatures.

Dragons, probably. Blame Anne McCaffery and being a goth, but I’ve always had a special spot in my heart for the scaly beasts. I fully believe they were real physical beings at some point, and that they exist on the astral plane now — but that if they so chose they could become physical again. Just, you know, what’s the point? Everyone trying to kill them, pollution, no more wild places in the world…no wonder they went astral.

44 Days of Witchery, Day 8: A Photo of a Magical Place Outdoors

The dock at Lake Sasamat.

So, really, almost every place outdoors is magical. According to me, at least. However, Lake Sasamat is truly magical — tis the hosting ground for not only the Gathering for Life on Earth, but also Pirates and Fairies – two witchy/pagany events with rituals galore, that happen every year. The place is practically crackling with magical energy — do enough opening rituals and closing rituals in a place, and it gets that charge.

Evans Lake also has that charge — Witchcamp has been held there for a long time, and for a number of years The Gathering moved up there as well. (Pirates and Fairies has always been at Sasamat.) I don’t have any pictures handy of Evans Lake, however.

I also think Lake Sasamat is magical because it’s where I grew up — the village of Belcarra — and where I met the love of my life (at Pirates and Fairies). So I’m a bit biased.

44 Days of Witchery, Day 7: Air Element

Air is the power of the sword, of intellect. The sword cuts away what does not belong; it destroys the extraneous. Cool logic, intellect, allow us to do so as well.

I do not connect well to air. I’m a fire/earth person; water and air elude me. The power of cutting away the extraneous is difficult for me to master. The wind is not something I like standing in; when it blows too hard I cannot breathe. (Weird, but true.)

I like gentle breezes. Horribly windy days are the worst sort of weather for me. Too loud, and things get moved around when they shouldn’t.

44 Days of Witchery, Day 6: A favourite God.

Greek terracotta statuette of a dancing maenad...
Image via Wikipedia

Ever since I was in high school I’ve had a bit of an obsession with Dionysus, Greek God of wine, madness, and theatre. It’s no surprise that I was a theatre student as well, and a hardcore partier (the two seem to go hand in hand). My favourite word was “Dionysian” and I insisted on praying to Him before each show while the rest of the cast and crew prayed to Jesus. (I have never understood that — what the hell does Jesus care if we do a good show or not? Theatre is not exactly His domain.)

Since I’ve stopped drinking, I’ve sort of stopped thinking about Dionysus (the time I’ve not been drinking has also been the time I’ve not done much theatre). It was hard for me to offer Him wine when I couldn’t let myself turn into a modern maenad.

However, He’s entered my thoughts again, namely because of some conversations going on at The Cauldron, the awesome interfaith pagan-focused forum I frequent.

In these conversations it has been mentioned that Dionysos is definitely the sort you’d find in a rough bar, and that whenever madness goes on He actually does not partake — He’s the centre of the maelstrom, sober, watching, and laughing.

Dionysos is not as cuddly as most think Him; He allows that image of Him to persist because it serves His purposes. But His purview is wild, untamed — maenads go mad in His service, and the purpose of theatre is to show the soul raw and bared, to bleed out yourself on stage so that someone else might catch a glimpse of what a different life is. Truth through pain. Breaking yourself down so others might build themselves up through the truth you let them see.

It’s no wonder theatre kids are such hardcore partiers; after a hard night on stage we need to drink ourselves into oblivion lest we lose ourselves in that madness that going so deeply into character requires.

Dionysos is King of all that, and it’s that wild, erotic tornado of energy around Him that I find so attractive. He breaks things down so you can rebuild them, and as Frou Frou says — let go, because there’s beauty in the breakdown.

(Many of my ideas in this post were helped along by reading Nykti’s Dionysos posts at The Night Wanderer’s Path; go and give them a gander if you’re so inclined.)

44 Days of Witchery, Day 5: A favourite Goddess.

Pinax of Persephone and Hades on the throne. F...
Image via Wikipedia

It would be way too obvious to go with Morrigan or Brighid (like, duh), so I’m going to choose instead one of my favourite “Descent to the Underworld” goddesses.

The Descent to the Underworld myth has always held special meaning to me, ever since I first read the myth of Persephone and Demeter. I really identified with Persephone, except I was reading a sanitized version of the myth and I was very young so the sexual aspect of Her relationship with Hades did not occur to me, and I related Her trip to the Underworld every year with my trip to my dad’s place for access every summer.

Persephone’s bravery and sacrifice really stuck with me, and now that I have a different understanding of the myth it’s Her sacrifice and liminality that really resonate for me. My current understanding of the myth is that Persephone chooses to give up Her prior life when She eats the pomegranate seeds. It’s my UPG that it would be pretty ridiculous for a goddess to not know the rule of the food of the Underworld — that She knew, and chose to have to return to the Underworld time and again.

She didn’t choose Hades at first, but He didn’t force Her either. I believe (and again, this is all UPG and personal interpretation of a myth — I do not claim that this is correct) He did kidnap Her, but just took Her to the Underworld to show Her a different sort of life. And She chose to live there half the year.

I realize this seems very “white-lighter” and sanitizing of the gods. I’m not trying to sanitize Hades or say that He’s just  big fluffy puppy. I’m just saying I don’t think He raped Her. I think that’s part of the myth because the Greeks really liked rape stories. Just saying. The sense I get of Hades is that He’s largely misunderstood.

Anyway, Persephone still remains a favourite of mine. She walks the edge between Dark and Light, Under and Overworld, Summer and Winter, and so can see both sides of the story. She is Queen of the Dead but also Queen of Summer.

44 Days of Witchery, Day 4: Picture of Nature — Water Element

This picture I took while on the ferry on Friday. It’s the churning the blades make in the water. (Also, picture taken with my Blackberry, so not the greatest quality.)

The churning depicted here always makes me think of the Lord of the Deeps, and ferries make me think of Hermes. It’s my UPG that They are buddies.

Witchy tools — athame

Late 19th century cutting board of maple beari...
Image via Wikipedia

This is something I don’t use, really. I always end up using whatever I’ve dedicated as my athame to cut things physically, and apparently you’re not supposed to do that.

I do have two knives. One I got from my grandfather on my mom’s side — it’s a simple hunting knife that desperately needs a sharpening. Brown wooden handle, brown leather sheath.

The second is a bit fancier and sharper — it’s from Guatemala and it has a serrated bit (like a bread knife) on the top of the blade, so it can cut twice. I think the sheath is leather but I could be wrong; it’s hard and red, with some designs on it.

The second one is the one I carry around with me when I’m concerned about the safety of the area I’m going to.

I don’t cast circles anymore, and generally when I wish to direct energy I use a wand. However, I have been thinking that I may use a knife for a spell or ritual to banish energies or cut away connections.

Hasn’t happened yet though.

A myth or story from folklore

There are so many I could talk about!

However, I’m going to talk about my favourite myth regarding M’Lady Morrigan. This story very clearly illustrates Morrigan’s greater function in Irish culture, as well as warning against disrespecting the feminine principle and female power. (Female I use here as an inclusive term not limited to “biology” but including gender expression and identification as well. I use it instead of “woman” because “woman power” sounds really silly, especially when we’re talking about deities.)

Here is a shorter version of the myth, found here.

Cúchulainn attracted the attention of the Morrigan because of his exploits.  While sleeping deeply after an exhausting day of single combats, Cúchulainn was startled awake by a great shout.  He ordered his charioteer Laeg to get the chariot ready for them to seek out the source of this strange cry.

They travelled north and met a woman riding towards them in another chariot, she wore a red dress, a long red cloak, had red hair and eyebrows and carried a long grey spear.  Cúchulainn greeted this woman and asked her who she was, and she replied that she was daughter of a king and had fallen in love with him after hearing about his deeds.  Cúchulainn did not recognise the woman as an incarnation of the goddess and brusquely replied that he had better things to do than concern himself with a woman’s love.  The Morrigan replied that she had been helping him throughout his combats and that she would continue to do so in return for his love.  Cúchulainn arrogantly replied that he did not need the help of any woman in battle.  “If you will not have my love and help, then you shall have my hatred and enmity” she said.   “When you are in combat with an enemy as good as yourself, I shall come against you in many shapes and hinder you, until your opponent has the advantage.”

Cúchulainn drew his sword to attack this threatening woman, but saw only a crow sitting on a branch.  The crow was the totem bird of the goddess and Cúchulainn finally realised that he had rejected the help of the fearsome Morrigan.

On the following day Cúchulainn met a great warrior called Loch in battle.  Loch scorned him as a beardless youth and refused to fight him, so Cúchulainn rubbed blackberry juice into his chin until it appeared darkened with a growing beard he also said an incantation over some grasses and they adhered to his chin.  Then he found out what it was like to be on the wrong side of the Morrigan.  While he was in combat with Loch, she came against him three times.   The first was in the shape of a red-eared heifer who tried to knock him over; the second was in the shape of an eel that wrapped itself about his legs as he stood in the stream; and the third time she came against him as a grey wolf that grabbed his sword arm.  Each time his opponent gained an advantage and managed to strike Cúchulainn, however he also managed to strike back at the goddess in her forms, he broke the heifer’s leg, he trampled on the eel and poked out the eye of the wolf.  In spite of his worsening odds against Loch, he finally managed to kill him with his magical spear – the gae bulga with its thirty barbs.
After he had killed Loch, the Morrigan appeared to him again in the form of an old crone who was milking a cow with three teats.  Cúchulainn requested a drink of milk from her, she gave him a drink from the first teat but that did not quench his thirst, so she gave him a drink from the second teat but still his thirst was unquenched and then she gave him a drink from the third teat and finally his thirst was quenched and he was grateful to the old woman and asked what reward she wanted.  She requested that he heal the wounds that he had inflicted on her while she was in animal guises as only Cúchulainn could heal the wounds which he caused, which he graciously did.

She appeared to him after that on the day of his death in the form of three old crones who cajole him into eating a piece of cooked dog which was a food forbidden to him, thus he broke a geas which had been imposed on him and this was extremely inauspicious.  After he had been killed in the Battle of Muirthemne she appeared as the crow which landed on his shoulder.

This is not my favourite version of the myth, but my internet is being a little sketchy at the moment so it’ll have to do.

I like this myth because it illustrates what happens when one denies Morrigan’s sovereignty. Cuchulainn had power because of Her favour; when he scorned Her he lost everything.

Morrigan is not just a goddess of death and war; She’s the goddess of the life of the tribe itself. The king cannot rule without Her blessing, and Her blessing is given to a fair and just ruler who keeps the tribe healthy and vibrant.

The concept of sovereignty is central to why I am devoted to Morrigan — it’s an issue I have, and I’m sure that’s why She chose me.